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EVOCATION

The Persistence of Memory  ● La persistencia de la memoria ● Persistance De La Memoire
Salvador Dali, 1931 - Oil on canvas, 24 x 33 cm - The Museum of Modern Art, New York.

  ● Here Dalí introduces his melted watches. He said that they are nothing else, but  the Camembert cheese of space and time; tender, outlandish, solitary and critical-paranoiac. In this self-portrait, a Dali similar to which appears in “The Great Masturbator” (1929), is at rest and with his tongue outside.  Besides the insects, he is alone in a desolate and warm landscape.  In these conditions, the perception of time and space and the behavior of the memories, acquire soft forms that adjust themselves to the circumstances. Twenty years later in “The Disintegration of the Persistence of Memory” (1952), Dali broke these images incorporating knowledge of the consequences of the destructive use of atomic energy.   ● Aquí, Dalí se inicia con sus famosos relojes blandos. El decía que no eran otra cosa que el queso Camembert del espacio y el tiempo, suave, extravagante, solitario y paranoico-crítico. En este autorretrato, un Dalí similar al que aparece en  “El gran masturbador” (1929), se encuentra inmóvil y con la lengua afuera. Aparte de los insectos, se encuentra aislado en un paisaje árido y caluroso. En estas condiciones, la percepción del tiempo y del espacio,  y el comportamiento de los recuerdos, adquieren formas blandas que se ajustan a las circunstancias. Veinte años más tarde en  “La desintegración de la persistencia de la memoria” (1952), Dalí descompone estas imágenes incorporando el conocimiento de las consecuencias del uso destructivo de la energía atómica.

The Persistence of Memory (on special paper) (Editor

 

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Art, Painting, and Life of the most brilliant surrealist